Complete entry submitted for Rupee symbol contest

 

 

Click the following link to view

Complete entry submitted for Rupee symbol contest

 

 

  

 

 

My facebook photo album containing the entry details…

The Proposed symbol of “Rupee” is the synergy of several themes namely: antiquity and modernity; Indian-ness and the International culture; the East and West. The symbol has all the elements that projects its attributes that are strongly recognizably Indian about it and at the same time it has all the characteristics that makes it a part of the family of popular international currency symbols such the Pound (£), the US dollar ($), Yen (Y) and Euro (€). The focus of the design of this symbol was mainly along the following lines. Thematic aspect of the symbol : The symbol of Rupee must represent the unique characteristics of the essence of India — the symbol must be representative of what we can recognize as Indian character. Historically it must represent country’s rich past and it must present itself as the attestation of one of the culturally pregnant civilization. It must represent the India’s concept uniqueness in acting as a bridge for the East and West. Also it must signify the Indian spirit in “unity in diversity” — representing the fact that in today’s troubled times India can be an example in how people of different cast , race, color, language and religion live together in harmony and proper. Last but not the least, thematically the symbol must live upto the promise that Rupee is committing to the world at large that it has the stability which is required by any currency to be the player in the global stage. http://samirshomepage.wordpress.com/2009/04/16/my-entry-for-rupee-symbol-design-contest/ http://samirshomepage.wordpress.com/2010/07/15/indian-rupee-got-a-distinct-symbol/

Quick and Dirty Guides for Designers and Developers : Adobe Edge Preview 3

“Quick and Dirty Guide for Designers: Adobe Edge Preview 3 in 4 Hours”

Ebook By Samir Dash
Published By patternGraphic DigiBooks
Rating: Not yet rated.
Published: Dec. 15, 2011
Category: Non-Fiction » Computers and Internet » Programming
Category: Non-Fiction » Computers and Internet » Graphics and design
Words: 9365 (approximate)
Language: English

ISBN: 978-1-4658-4425-5

PG2011B3

Here is a discount coupon you can use to get 20% OFF :

Original Price: $4.00

Promotional price: $3.20
Coupon Code: MT66A
Expires: February 15, 2012

https://www.smashwords.com/books/view/114683?ref=patternGraphic

Quick and Dirty Guide for Developers: Adobe Edge Preview 3 in 4 Hours

Ebook By Samir Dash
Published By patternGraphic DigiBooks 

Published: Dec. 16, 2011
Category: Non-Fiction » Computers and Internet » Programming
Category: Non-Fiction » Computers and Internet » Graphics and design
Words: 14341 (approximate)
Language: English

ISBN: 978-1-4660-7972-4

PG2011B4

Here is a discount coupon you can use to get 20% OFF :

Original Price: $4.00

Promotional price: $3.20
Coupon Code: LN68F
Expires: February 15, 2012

Available in following formats: Epub (Apple iPad/iBooks, Nook, Sony Reader, Kobo, and most e-reading apps including Stanza, Aldiko, Adobe Digital Editions, others), PDF, Mobi(kindle), and LRF.

https://www.smashwords.com/books/view/115038?ref=patternGraphic

A quick 4 hours guide for developers, web designer and those having basic knowledge in HTML, CSS, Java Script and jQuery to learn using Adobe Edge Preview 3 to develop web interactive and web applications.
The book covers the following topics:

Quick and Dirty Guide for Developers: Adobe Edge Preview 3 in 4 Hours

Quick and Dirty Guide for Developers: Adobe Edge Preview 3 in 4 Hours

Ebook By Samir Dash
Published By patternGraphic DigiBooks 

Published: Dec. 16, 2011
Category: Non-Fiction » Computers and Internet » Programming
Category: Non-Fiction » Computers and Internet » Graphics and design
Words: 14341 (approximate)
Language: English

ISBN: 978-1-4660-7972-4

PG2011B4

Here is a discount coupon you can use to get 20% OFF :

Original Price: $4.00

Promotional price: $3.20
Coupon Code: LN68F
Expires: February 15, 2012

Available in following formats: Epub (Apple iPad/iBooks, Nook, Sony Reader, Kobo, and most e-reading apps including Stanza, Aldiko, Adobe Digital Editions, others), PDF, Mobi(kindle), and LRF.

https://www.smashwords.com/books/view/115038?ref=patternGraphic

A quick 4 hours guide for developers, web designer and those having basic knowledge in HTML, CSS, Java Script and jQuery to learn using Adobe Edge Preview 3 to develop web interactive and web applications.
The book covers the following topics:
Before We Start!

  • What is Adobe Edge?
  • What to Expect from this Book

Hour 1: Overview of Edge Runtime

  • Edge Composition
  • Edge Symbol
  • Edge Action
  • Events
  • HTML page DOM specific Events
  • Edge Elements DOM specific Events
  • Element level Touch Interaction specific
  • Triggers

Hour 2: Adding Basic Actions to Your Animation – Playing with Triggers

  • Where to Add Triggers in the Edge IDE ?
  • Different Type of Triggers
  • “Earth” – An Example for Basic Playback Control
  • “Day and Night” – An Example for Changing the content of an Element in Runtime
  • Where all Triggers are Saved When We Type into the Edge Code Editor?
  • Reference to different Elements and their properties while writing Triggers
  • Using Lookup Elements (Lookup Selectors) and jQuery API
  • Using Some Other Useful Edge Runtime APIs
  • “Progress Bar” Example – Using what we have learned about referencing Elements

Hour 3: Edge Touch API and Gestures for iPhones, iPads and Android devices – Thinking Beyond Desktop & Mouse

  • Touch Events supported on iPhones, iPads and Android devices
  • Difference Between Touch and Mouse Events
  • The WebKit Event Object for touch events
  • Note: Setup Environment to Test HTML Pages on Your Devices
  • Gestures
  • Adobe Edge and jQuery Mobile Events
  • Using Touch Events in Edge Compositions
  • Adding Touch Events to Edge Element’s Action
  • Adding Touch Events to the DOM Elements Associated with Edge Element
  • Adding Gesture Events to Compositions in Edge IDE
  • Making Edge Compositions Compatible for Both Mouse and Touch Events
  • Example: Cross-platform Slider
  • Prevent scrolling
  • Prevent Default HTML Resize

Hour 4: Complex Interactions between Multiple Compositions and Development and Usage of Reusable Compositions

  • Wheel: Example of a nested Element Animation
  • Adding Interaction to Control the Animation of the Nested Element
  • Benefits of Nested Animation
  • Reusability Approach of Development in Edge
  • Example: Building a Reusable Slider Component
  • Example: Product Selector – How to Use of the Reusable Edge Composition Multiple Times in another Edge Composition with Different Configurations

Going Forward

  • Next Steps

Source Files for this Book

This is a quick guide that will help you feel comfortable using the Adobe Edge Preview 3 in context of designing and animation.

If you are looking for the designing and animation using Adobe Edge instead of programming check “ Quick and Dirty Guide for Designers: Adobe Edge Preview 3 in 4 Hours” …that is available at https://www.smashwords.com/books/view/114683?ref=patternGraphic

 

 

Videos related to the book:

In hour 4 section of this book you will learn how to create reusable compositions which can be used in other Edge composition through configurable parameters. For source files and details check the book

This sample shown in this video is explained in the current book. In the video you can see there are 3 different Edge compositions the first one is a simple background, the second one is a rotating wheel and the third one is the combination of the two to render the final interactive. For source files refer to the book.

Here is an experiment from the current book, showing how a product selector can be built with Flash like user experience using HTML5, jQuery, CSS3 and of course Adobe Edge Preview 3 runtime. For source code refer to the book.

Quick and Dirty Guide for Designers: Adobe Edge Preview 3 in 4 Hours

Quick and Dirty Guide for Designers: Adobe Edge Preview 3 in 4 Hours

 

 

https://www.smashwords.com/books/view/114683?ref=patternGraphic

“Quick and Dirty Guide for Designers: Adobe Edge Preview 3 in 4 Hours”

Ebook By Samir Dash
Published By patternGraphic DigiBooks
Rating: Not yet rated.
Published: Dec. 15, 2011
Category: Non-Fiction » Computers and Internet » Programming
Category: Non-Fiction » Computers and Internet » Graphics and design
Words: 9365 (approximate)
Language: English

ISBN: 978-1-4658-4425-5

PG2011B3

Here is a discount coupon you can use to get 20% OFF :

Original Price: $4.00

Promotional price: $3.20
Coupon Code: MT66A
Expires: February 15, 2012

Table of Contents

  • Before We Start!
  • What is Adobe Edge?
  • What to Expect from this Book
  • Getting Ready : Download and Setup Adobe Edge on your System
  • Hour 1: Quick Tour of the Adobe Edge IDE
  • Default Layout : Welcome to Adobe Edge!
  • “Get Started..” Panel
  • Stage
  • Toolbars
  • Elements panel
  • Timeline panel
  • Properties panel
  • Menu bar
  • Editor
  • Hour 2: Drawing and Animating Shapes
  • Creating your First Animation
  • Changing Color through Animation
  • Shape Morphing Animation
  • Animating Background Color of the Stage
  • Example: Creating a Flip Book animation
  • Hour 3: Editing Webpages Not Created With Edge
  • Animate Existing Webpage
  • Adding Animation to HTML Forms
  • Feedback Form Animation – Example of Animation to HTML Forms Elements
  • Hour 4: Adding Basic Actions to Your Animation through Triggers
  • Where to Add Triggers in the Edge IDE ?
  • Different Type of Triggers
  • “Earth” – An Example for Basic Playback Control
  • Going Forward
  • Next Step s
  • Source Files for this Book

This is a quick guide that will help you feel comfortable using the Adobe Edge Preview 3 in context of designing and animation.

Available in following formats: Epub (Apple iPad/iBooks, Nook, Sony Reader, Kobo, and most e-reading apps including Stanza, Aldiko, Adobe Digital Editions, others), PDF, Mobi(kindle), and LRF.

If you are looking for the programming part stay tuned…”Quick and Dirty Guide for Developers: Adobe Edge Preview 3 in 4 Hours” is underway…… Notice the diff …it will be for DEVELOPERS.

5 Shortlisted Entries of New Rupee Symbol by Govt. of India

Last year in April I had submitted my entry for Rupee symbol to the “Rupee symbol design contest” (which was there in sl.no. 76 in the first list of eligible entries ) . After a wait of more than a year the 5 designs are now shortlisted from the  2,500 entries that have been received from across the country.

4 out of 5 selected entries were from Mumbai and the fifth one is from Kerala.

http://www.pluggd.in/indian-rupee-symbol-297/

However there were some interesting articles/press/posts/media stories I found :

http://img718.imageshack.us/img718/2905/18sec.jpg : This one states that each design was given approx 18 second to be evaluated!

http://yfrog.com/f/6h19marhindustanj/ This one states that there was spome kind of scam as the winners sent multiple entries where as it was restricted to only 2. also the jury never saw the background details and theme of the logo  which was the part of the contest guideline!(even here http://www.equitipz.com/2009/08/rupee-to-get-identification-symbol.html the commentary says that only the symbol design was presented to the jury!)

http://yfrog.com/f/3u22032010016j/ also states the similar story!

http://www.scribd.com/doc/25924085/RTI-Against-Symbol-for-Indian-Rupee-Design-Competition-Scam ()

<–  “RTI Against Symbol for Indian Rupee Design Competition Scam”

My Entry

http://samirshomepage.wordpress.com/2009/04/16/my-entry-for-rupee-symbol-design-contest/

Below are the Shortlisted designs by finance ministry

http://timesofindia.indiatimes.com/india/Cabinet-decides-on-rupee-sign-today-/articleshow/6084121.cms#write

UPDATE:

Now there is a new site called Save Indian Rupee Symbol at http://www.saveindianrupeesymbol.org/

which focuses on the possible scam in the design selection. As per this site:

  1. No records are available with Finance Ministry which could indicated, how many total design entries Finance Ministry had received ?
  2. Non-eligible candidate was shortlisted in top five finalists.
  3. One finalist was in contact with Finance Ministry and RBI prior to competition.
  4. Design concept or brief was not put in front of jury along with Indian Rupee symbol design.
  5. No marks or grades were allotted to selected (2644) candidates design entries, in the process of shortlisting top five finalist design entries.
  6. Jury had spends less than 20 seconds on each design entries to analyze it.
  7. One jury member from Ministry of Culture was absent on the day of final presentation.
  8. Three jury member were absent in two days long meeting dated 29th Sept. and 30th Sept. 2009
  9. All seven jury member had never meet in this whole selection process.

My entry for Rupee Symbol Design Contest

 Here is some of the details from the entry I had submitted to Indian Rupee Symbol Design Contest.  

 

 

 

 

 

The Proposed symbol of “Rupee”  is the synergy of several themes namely:  antiquity and modernity; Indian-ness and the International culture; the East and West.  The symbol has all the elements that projects its attributes that are strongly  recognizably Indian about it and at the same time it has all the characteristics that makes it a part of the family of popular international currency symbols such the Pound (£), the US dollar ($),  Yen (Y) and Euro (€).    The focus of the design of this symbol was mainly along the following lines.  Thematic  aspect  of the symbol :  The symbol of Rupee must represent the unique characteristics of the essence of India — the symbol must be representative of what we can recognize as Indian character. Historically it must represent country’s rich past and it must present itself as the  attestation of one of the culturally pregnant civilization. It must represent the India’s concept  uniqueness in acting as a bridge for the East and West. Also it must signify the Indian spirit in “unity in diversity” — representing the fact that in today’s troubled times India can be an example in how people of different cast , race, color, language and religion live together in harmony and proper.  Last but not the least,  thematically the symbol must  live upto the promise that Rupee is committing to the world at large that it has the stability which is required by any currency to be the player in the global stage.  

 


 

Design aspect of the symbol:

 

The design must truthfully represent the symbol’s connection to the  root of Indian Rupee. The design must be technically sound so that when used on the real life scenario it can be easily rendered on different devices and media with varying parameters such as resolution and color depths. Apart from preserving its uniqueness as Indian the design has to technically appealing eyes and psyche of the global mass. The symbol has to be designed in such a way that for foreign eyes it should not look alien. In other words it must represent “the fact that it is a player on the world stage”. The technical aspect of the design of the symbol must follow the world standards in for good iconography such as:

 Simple graphics, strong and easy to write – a single symbol .

  1. Even weight – not overloaded with strokes or have any minor unnecessary lines .
  2. Width not exceeding that of a zero – so it can fit into columns for company reports and accounting .
  3. It should have a visual link with existing well-known currency symbols .
  4. It should be aesthetically pleasing and easy to write by hand.

For this, the design is based on the concept of careful selection of glyphs/script elements from the two representative languages scripts – Devanāgarī and Latin Script/ English scripts.  The symbol mainly takes glyphs from Devanāgarī  to refer to the rich heritage and cultural ethos of India.

 

The origin of the word “rupee” is found in the Sanskrit word rūp or rūpyāh, which means “wrought silver,” originally “something provided with an image, a coin,” from rupah “shape, likeness, image.” The Sanskrit word rūpyakam (Devanāgarī:     रूप्यकम्   ) means coin of silver. Also the case is true for the Hindi word rūpyāh  (i.e. रुपया ), that was coined by Sher Shah Suri (1538-1545 AD) who introduced the silver Rupayya or Rupee coin. So from Hindi language : रुपया  the proposed symbol takes the first character.

 

 

Considering this the symbol takes its character from the First two characters (i.e. “Ru”)of the English name “Rupee”. Of course , the representation of the different characters from the two polar opposite script system (English standing for Western Philosohy and Devanagari as a part of Eastern philosophy) were represented in such a way that it results in an unique design concept that do justice to both of the script systems. The ”Ru” comes from the the Latin script/English script that is most representative of the West , its culture and historical ethos and by making it the part of the symbol makes it truly the point of synergy that represents the world harmony and peaceful coexistence of different cultural and regional elements. This also is the representative of India’s nature of tolerance and respect for different languages and culture, on the basis of which different people of varied cultural, language and racial domains live together and prosper in India even in today’s troubled times.

 

Attempts were also made that the glyph elements are merged in such a way to create the new aesthetic graphical representation that will contain in it-self the memory of the traditional use of abbreviations of the word “Rupee” and ”Rupees”  as “Rp” and “Rs” respectively.  If the proposed symbol is closely observed , next to R the “s” seems to be there in Flipped vertically. Similarly the presence of “p” next to “R” can be felt where “p” seems to be flipped with 90 degree clockwise. Representing these two aspects with out any  prominence in the symbol shows how these two past elements of “Rupee” character are deprecated. 

 

The expectation from the proposed symbol references the fact that this could be a powerful part of the country’s brand iconography, a signal of stability. And the concept of “stability” can be easily convinced by the international mass through the use of “horizontal lines” found in almost all the currency symbols.  The lines provide the symbol the required visual link with existing well-known currency symbols – and that makes it visually one of the same family of symbols that of others and preserving its uniqueness at the same time.

 

 

The symbol uses even lines of same thickness for its representation. As the soul focus behind symbol is to make it from a “simple graphical elements that will make it easy to write and easy to remember”. Apart from this the symbol is designed with the spirit to look unique as well as with the familiarity elements in the family of other major currency symbols. Last but not the least the concept is to have a clean and even weight – not overloaded with strokes or have any minor unnecessary lines.

 

 

 

The symbol design must be applicable to the standard key board – keeping in mind that the design will be used by various Font makers to create varied form of the symbol to include it in their Font sets.

 

As the design is most targeted to be represented as an Font character in Uni-Code (currently “Rs” is placed at 20A8 position in Unicode chart), it must be designed in such a way that it will render properly and evenly even in relatively small resolutions and lower color-depth screens (such as mobile devices, portable digital players etc.)

 

Every effort has been made to make the proposed symbol representative of the India in all its aspects and easily comprehensible to the eyes of international mass.

 

symbol_variations

 

(Click the above image to see it in A4 size to view how it is applicable to standard key board )

P.S:

The symbol is as simple as writing the hindi character “रू” by hand (which has been used by people for a long time to represent rupee word in Hindi). Here is a simple clip image showing how easy it is to write the symbol by hand:

20042009176

 

 

 

 

 

(The symbol was also tested on various lower resolution small screen devices to check if it renders well at small font sizes. )

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